There are many tempo changes in this piece. Simply out of ignorance, what makes Paderewski the foremost editor on Chopin? Is if because of the Polish connection? I have never been a fan of arguing who is the better editor although I have purchased Paderewski in the past. What is funny is I play through this, play it differently and never realized it was different from the first time. I looked at my music and found the changes you were talking about.
Make sure that the dotted half remains the same length throughout the piece. Harmonically, the forward motion into the following section gains more strength with each repetition of the There are no tempo changes in this score anywhere, regardless of what may be performance practice. If this isn't what you have, you should consider purchasing the Paderewski edition. In the second instance, bar 233, a Gb is added, putting more emphasis on the b7 in the chord and changing its character, and the third instance the theme is extended going into the coda. The first time, in bar 100, the right hand plays a Db-Ab-Db chord, and the Ab remains in the next two bars.
Quote from: jgallag on December 04, 2011, 02:00:29 AM I checked my score, just in case, but my gut told me it is never the same. Also, to animate is "to bring to life." Therefore, if we consider etymology, it's best to consider anima as spirit or soul rather than faster. It makes the most sense, considering that Jung (or was it Freud?) chose the same word to represent the feminine spirit inside men. It would be best to go with thinkgreen's answer.
I checked my score, just in case, but my gut told me it is never the same.
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